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            <title xml:lang="en">The representation of Marseille's Urban Spaces in Rap Clips</title>
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                <title xml:lang="en">The representation of Marseille's Urban Spaces in Rap Clips</title>
                <title xml:lang="fr">La représentation des espaces urbains marseillais dans les clips de rap</title>
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                <term xml:lang="en">Marseille</term>
                <term xml:lang="en">SCH</term>
                <term xml:lang="en">Keny Arkana</term>
                <term xml:lang="en">Jul</term>
                <term xml:lang="en">IAM</term>
                <term xml:lang="en">1990-2025</term>
                <term xml:lang="en">rap</term>
                <term xml:lang="en">Urban Spaces</term>
                <term xml:lang="en">clips</term>
                <term xml:lang="en">Soprano</term>
                <term xml:lang="fr">clips</term>
                <term xml:lang="fr">Marseille</term>
                <term xml:lang="fr">espaces urbains</term>
                <term xml:lang="fr">Soprano.</term>
                <term xml:lang="fr">SCH</term>
                <term xml:lang="fr">Keny Arkana</term>
                <term xml:lang="fr">Jul</term>
                <term xml:lang="fr">IAM</term>
                <term xml:lang="fr">1990-2025</term>
                <term xml:lang="fr">rap</term>
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              <p>Starting from the 1990s, certain rappers from Marseille have often highlighted the explosive situation of working-class neighborhoods in their productions and in their clips, while other rappers have chosen to address different themes. This increasing diversity has however not put an end to depictions of identity phenomena, expressed in rap clips using new popular languages, through contrasts in music and references to urban spaces. This relationship to space is essential to the identity construction of dominated populations within a divided city which has fallen victim to gentrification, and which is controlled by the  French State.</p>
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              <p>Depuis le début des années 1990, certains rappeurs de Marseille ont souvent souligné la situation explosive des quartiers populaires dans leurs productions et dans leurs clips. D’autres, pourtant, ont choisi des thèmes différents. La diversité des réalisations n’a pas mis fin à la présence de phénomènes identitaires grâce aux nouveaux parlers populaires, à la présence des contrastes dans la musique et à la référence à l’espace urbain dans les clips. Cette relation à l’espace est essentielle dans la construction des identités des dominé·es au sein d’une ville divisée, victime de la gentrification, et contrôlée par l’État.</p>
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